Eivør & band
14. marts fra 20:00 - 22:00
Eivør er den moderne nordiske musik og sang, rundet af Nordatlanten og den smukke melankoli og de rene håb.
When working a new song, Eivør often envisions the dramatic landscape of her Nordic homeland, a remote archipelago known as the Faroe Islands.
“It can be very harsh and very gentle at the same time, and when I sing I see that wildness and softness blended together,” says Eivør. “I think it helps me to create music with a lot of contrast, which is important to me—I don’t want my music to ever feel too safe.”
Now based in Copenhagen, Eivør brings that stark contrast to a darkly textured yet brightly melodic sound centered on her captivating vocals. While her origins lie in Faroese folk singing, Eivør’s most recent output reveals her fascination with the infinite possibilities of electronic music. Along with earning comparisons to Kate Bush in the pages of MOJO, Eivør’s otherworldly ingenuity has led to her role in co-composing the soundtrack to the BBC/Netflix flagship series The Last Kingdom.
Originally released in 2015—with an English-translated version arriving last year—Eivør’s latest album Slør embodies her sonic sensibilities in tracks like “Trøllabundin”: a haunting piece of alt-pop built on her shapeshifting vocal work and hypnotic hand-drum rhythms.
“This song started off as an a cappella improvisation in a dark hallway on a lonely night,” says Eivør. “It’s about being under the spell of music. When I play it today, I feel like I’m playing some kind of shaman techno music, even though there’s only my voice and my drum.”
Growing up on that island in the midst of the North Atlantic, Eivør first discovered the force and nuance of her voice by singing traditional Faroese folk songs with her family. Soon after learning to play guitar from her mom at age 10, she started writing her own material. “One of the first artists who really blew me away in terms of songwriting was Leonard Cohen,” Eivør recalls. “My friend’s parents had this big collection of his albums, and I’d go to see her and we would listen to his records all day long. There was something about him I just felt very haunted by, mostly in his storytelling.”